The Metropolitan Museum of Art Fictions Of Emancipation: Carpeaux’S Why Born Enslaved! Reconsidered New

Edited By Elyse Nelson And Wendy S. Walters

This Critical Reexamination Of Jean-Baptiste Carpeaux’S Iconic Bust Why Bornenslaved! Unpacks The Sculpture’S Complex And Sometimes Contradictoryengagement With An Antislavery Discourse. Noted Art Historians And Writersdiscuss How Categories Of Racial Difference Grew In Popularity In The Nineteenthcentury Alongside A Crescendo In Cultural Production In France During Thesecond Empire. By Focusing On Why Born Enslaved! And Comparing It To Works By Carpeaux’S Contemporaries On Both Sides Of The Atlantic, As Well As To Objects By Twenty-First-Century Artists Kara Walker And Kehinde Wiley, This Volume Explores Such Key Themes As The Portrayal Of Black Enslavement And Emancipation; The Commodification Of Images Of Black Figures; The Role Of Sculpture In Generating The Sympathies Of Its Audiences; And The Relevance Of Carpeaux’S Sculpture To Legacies Of Empire. The Book Also Provides A Chronology Of Events Central To The Histories Of Transatlantic Slavery, Abolition, Colonialism, And Empire.

Elyse Nelson Is Assistant Curator Of Eighteenth- And Nineteenth-Century European Sculpture In The Department Of European Sculpture And Decorative Arts, The Metropolitan Museum Of Art, New York.

Wendy S. Walters Is Concentration Head In Non-Fiction And Associate Professor In The Writing Program Of The School Of The Arts At Columbia University, New York.